Willard Boepple

American, born 1945

Eleanor at 7:15

Cor-ten steel 49 × 35 × 45 inches
Lent by The Metropolitan Museum of Art Anonymous gift, 1978 1978.567.5
Photography not permitted
Location: Courtyard between MEZ and BAT GPS: 30.284616,-97.739038

More Information

Essay by Valerie Fletcher

Willard Boepple’s birthplace, Bennington, Vermont, became nationally renowned for the art department at its eponymous college. During the 1960s and 1970s, the school attracted practitioners and theorists of abstract art, including the leading critic, Clement Greenberg, painters Kenneth Noland and Jules Olitski, and the British sculptor Anthony Caro.

Despite the local availability of advanced art practice, Boepple initially went as far away as possible for his undergraduate education while still remaining in the United States (a not unusual decision among college students in the 1960s). In 1963 and 1964 he attended the University of California, Berkeley, transferred to the Rhode Island School of Design, and finally obtained his BA from the City University of New York in 1973.

From 1977 to 1987, Boepple worked as a technical assistant for sculpture at Bennington College, where he had the opportunity to work closely with Caro. The older British sculptor was a master of improvisational composition using sheet metal, and Boepple adapted that technique to his own style.

In the 1990s, as part of a widespread reaction against constructed steel sculptures, Boepple turned to working with wood.

Eleanor at 7:15, 1977

During the 1970s, Boepple, like his fellow abstract sculptors Caro and Richard Serra, made art out of welded Cor-ten steel. Although seemingly disorganized, Eleanor at 7:15 is a highly articulated mass of intersecting curves and flat planes. Neither predominantly horizontal nor vertical, the work is carefully balanced on a tripod of steel plates. While the sculpture resists a figurative interpretation, the title suggests an intimate moment in the life of the artist.

Valerie Fletcher is Senior Curator at the Hirshhorn Museum in Washington, DC. Her research on groundbreaking aspects of international, globalized, and transnational art have resulted in numerous exhibitions and publications. 

Bibliographic Highlights

Frackman, Noel. “Willard Boepple.” Arts Magazine 50 (May 1976): 20.

Mead Art Museum, Amherst College. Willard Boepple: Sculpture. Amherst, MA, 1988. Text by Judith Barter.

New York Studio School of Drawing, Painting, and Sculpture. Willard Boepple: The Sense of Things. New York, 1999. Text by Karen Wilkin.

Usdan Gallery, Bennington College. Willard Boepple: Sculpture 1970–1990. Bennington, VT, 1990. Text by Andrew Hudson.

Wilkin, Karen. “The Body Disembodied: New Directions in Modernist Sculpture.” Sculpture 23 (October 2004): 38–43.

Cohen, David. “Willard Boepple: Disembodiment and Sensuality.” Sculpture 29 (September 2010): 45–49.

Visit Willard Boepple's website

Project History

The first major initiative of Landmarks is the long-term loan of twenty-eight sculptures from the Metropolitan Museum of Art in New York. These works create an art historical context upon which the university has begun building its own stunning collection.

This extraordinary opportunity allows the university not only to establish an association with one of the world’s greatest museums but also to acquire a group of sculptures that, because of their quality, rarity and worth, would be impossible for any institution to assemble today.

The initial sculptures were installed throughout the main campus in September 2008, and a second, smaller group were unveiled at the renovated Bass Concert Hall in January 2009.

To accompany the loan, Valerie Fletcher, Senior Curator of Modern Art at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution in Washington DC, contributed an introductory essay (pdf) and audio tour.

Activity Guides

Silhouette of sculpture
Willard Boepple
American, born 1945
Eleanor at 7:15

Subject: Movement
Activity: Using lines to give the appearance of motion
Materials: Pencil and paper
Vocabulary: Arc, diagonal, dynamic, vertical, horizontal, motion