On Thursday, 11 April, Landmarks opened its newest installation, Spontaneous future(s), Possible past by artist Beth Campbell. Sited at Dell Medical School’s Health Transformation Building (HTB), the

The second edition of the Landmarks collection handbook is now on sale on Amazon! We've added 56 more pages and more than 100 beautiful images of the public art collection.

Known for her drawings, sculpture, and architectural interventions, Beth Campbell creates works that challenge the notion of a physical world beyond our perception. Drawing upon philosophy

Landmarks will unveil a new installation by New York City-based artist Beth Campbell on April 11, 2019. The site-specific commission, titled Spontaneous future(s), Possible past, comprises a mobile

Landmarks is pleased to welcome Kathleen Brady Stimpert! As Landmarks’ new deputy director, Kathleen will oversee daily operations including administration, collections management, education programs

Glasstire, an online visual art publication based in Houston, awarded the first Glasstire Art Writing Prize to Melanie Shi for her essay on James Turrell's The Color Inside. The "competitive award

A work by Landmarks artist Ursula von Rydingvard graces the cover of October's issue of Art in America. The article discusses the creation of Untitled (Seven Mountains) as a pivital moment in the

Ten years ago, Landmarks was launched to bring great public art to The University of Texas at Austin. Beautifying the campus and giving UT bragging rights, the program provides opportunities for

Shahzia Sikander, SpiNN, 2003. Courtesy of The Blanton Museum of Art Landmarks announces its ninth season of Landmarks Video, which includes works by Hans Op der Beeck, Christian Marclay, Jayson Scott

Chandler Householder is a second year architecture student and a Landmarks Docent. To satisfy the writing requirement for her world architecture course, she wrote Scalar Implications: Changing Effects

Today O N E E V E R Y O N E , a Landmarks commission by Ann Hamilton, received the Americans for the Arts’ Public Art Network (PAN) award for outstanding public art across the nation. Each year jurors cull hundreds of projects and select the most compelling works to include in the PAN Year in Review, the only national program that recognizes public art.

To celebrate its tenth anniversary, Landmarks is publishing the second edition of the collection handbook thanks to a generous gift from the Tocker Foundation. The catalog features recent acquisitions